Gutfeld Exposes ‘The View’s’ True Colors

The recent reports that the producers at ABC have asked “The View” to ease up on their relentless Trump-bashing seem downright comical. It’s like asking a fish to stop swimming or telling a dog to stop barking. The show’s entire shtick revolves around their relentless tirades against former President Trump. If they suddenly have to pivot to lighter fare, what would they even discuss? It’s almost as if the very foundation of the show is being questioned. Without the usual Trump-drama, their episodes might just devolve into awkward silences interspersed with chatter about mundane topics.

One can only imagine the chaos in the brainstorming sessions. Everyone knows “The View” hits high notes when they weave drama with their political rants. Toning it down, for them, would be akin to running a marathon with one leg tied. Would there be any content robust enough to fill entire segments without their go-to narrative? The show could suddenly turn into a monotonous talkfest about everyday items. But maybe the showrunners are sensing that audiences are growing weary of the same old script. Perhaps there’s an unspoken demand for something more fresh and less repetitive. If the essence of “The View” is simply to lament about Trump, is that really enough to keep the audience riveted?

It’s quite funny when one considers the evident hypocrisy. The members of the show who constantly berate others for their perceived intolerance seem quite closed-minded themselves when it comes to diverse viewpoints. Watching the show dodge its usual content might actually be more entertaining than the show when it’s in full swing. They could start featuring light-hearted segments like banana nut muffin recipes, but that’s not likely either. Provoking each other with barbed words about long-dormant political dramas simply seems to be too ingrained to stop cold turkey.

Moreover, “The View” appears to serve as a microcosm of an angry faction of the Democratic party. There they are, as described vividly by critics, a bunch of panelists rattling on with their usual agitation. Somehow, they always find another angle or target to bring up in their discussions. It’s like watching a soap opera with slightly different plot twists; the ending is predictable. Jumping through hoops to appease their audience or producers is only going to look more inauthentic than the already contrived depth of conversation regularly seen.

In essence, the audience might secretly be yearning for a new direction. Could a revised take on their format win back viewers who’ve become jaded by their repetitive themes? Or perhaps the solution simply involves letting each episode run into comedic chaos and then see where it lands. Either way, there’s no doubt that telling them to soften their political jabs is like emptying a stage mid-show. They’d probably continue with a wink, knowing full well that what they do best is ruffle a few feathers. Let’s just hope, for their sake, those feathers don’t end up in a pillowcase of irrelevance.

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Keith Jacobs

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