Gutfeld: Trump Made ‘Home Alone 2’ a Cultural Phenomenon

In the bizarre world of Hollywood, it seems some directors have entirely too much time on their hands. Recently, Chris Columbus, known for his work on the “Home Alone” series, expressed a peculiar wish. He revealed that he would love to erase former President Donald Trump’s cameo from the 1992 movie “Home Alone 2: Lost in New York.” Alas, Columbus admitted he fears the wrath of Trump supporters more than he dislikes the scene itself. Really, Chris? That one-minute cameo is that significant to your life’s work?

It’s puzzling, the obsession some Hollywood figures have with anything related to Trump. One would think Columbus had bigger issues to tackle than a cameo dating back over three decades. His fear of retaliation from conservatives seems more like an overblown Hollywood drama than a reflection of reality. After all, who would charge the streets with pitchforks over a few seconds of film? Furthermore, considering the failed attempts to cancel Trump at every opportunity, this director’s concern is as laughable as a comedy skit.

Moreover, the idea that conservatives would even care enough to mobilize against the removal of a single scene in a film sequel not exactly known for its critical acclaim is typical Hollywood hyperbole. “Home Alone 2” is a holiday staple for some, sure, but it’s hardly the cinematic Everest Columbus might imagine it to be. To most, Trump’s cameo in this lighthearted flick is simply a moment of playful nostalgia, not an essential political statement.

On another note, the underlying motive behind this, like many cries from Hollywood, seems clear. It’s the age-old pursuit of virtue signaling. Could it be that Columbus is striving to gain favor with industry peers by denouncing a cameo by the ever-polarizing former president? Classic Hollywood — when you’re not busy making cinematic masterpieces, you can always point fingers at Trump to stay relevant.

In an industry where political and cultural statements often overshadow actual artistry, these antics aren’t surprising. There’s a robust irony in the fact that as much as some claim to detest Trump’s influence, they can’t stop talking about him — even revisiting decades-old films to make a point. Let’s be real: the audience watches “Home Alone 2” for holiday laughs with the family, not because of a brief appearance by Trump. Hollywood might want to consider focusing on making movies that audiences actually want to see rather than rewriting history to suit their agendas.

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Keith Jacobs

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