Hollywood has a serious problem when it comes to recognizing real talent. Too many mediocre liberal writers get heaped with praise while truly gifted conservative voices get pushed aside. The entertainment industry rewards political correctness over actual storytelling ability.
Take Andrew Klavan, a two-time Edgar Award winner who wrote major Hollywood films like True Crime and Don’t Say a Word. This man has real credentials and serious writing chops. But Hollywood basically wrote him out because he dares to hold conservative values and made a film about the Gosnell abortion scandal.
Meanwhile, woke screenwriters who can barely string together a coherent plot get treated like geniuses. They win awards and get celebrated at fancy award shows just for pushing the right political messages. Quality storytelling takes a back seat to virtue signaling every single time.
The truth is that many celebrated screenwriters today are completely overrated. They rely on shock value, political messaging, and Hollywood connections instead of crafting compelling characters and stories. Real Americans can see right through this phony praise.
Conservative writers like Klavan understand that great stories come from exploring deep human truths, not lecturing audiences about politics. His work deals with real darkness and redemption in ways that actually matter. But the liberal media machine ignores this kind of authentic storytelling.
The whole system is rigged against writers who love America and believe in traditional values. If you want to get praise in Hollywood, you better toe the progressive line. Speak up for conservative principles and watch your career disappear overnight.
This is why so many movies today are complete garbage that regular folks cannot stand. When you reward bad writers for having the right politics instead of actual talent, you get terrible entertainment. The box office numbers prove that audiences are fed up with this nonsense.
American moviegoers deserve better than overrated hack writers who got their jobs through political connections. We need to support truly talented storytellers who actually understand what makes great entertainment. Only then will we get the quality films this country deserves.
